Past Life Story of Louise Vanderbilt | Wayne Peterson-Spirit Being or Soul Guidance in a Reincarnation Case with Psychokenisis

In childhood, Wayne Peterson had vivid memories of a lifetime in which women wore nineteenth century clothing and where parties were held in a large sandstone, mansion-like house. Decades later, while working as a US Diplomat and and Director of the Fulbright Scholarship Program, through guidance from the spirit world and an episode of psychokinesis, Wayne was able to identify his past life as Louis Vanderbilt, wife of Frederick Vanderbilt, a member of the American Vanderbilt dynasty which includes CNN’s Anderson Cooper.

How Case Derived: Past Life Memories in Childhood and Spirit Being Guidance

Researcher: Wayne Peterson

Article by Walter Semkiw, MD from Born Again

Little Wayne remembers a Past Lifetime with Women in Billowing Gowns and a Man named Fred: A Past Life Vision of the Vanderbilt Mansion

semkiw peterson louise vanderbilt reincarnation past life skirt IISISWayne Peterson has experienced memories of a past lifetime in which he was Louise Vanderbilt, wife of Frederick Vanderbilt, a member of the American Vanderbilt dynasty. Through marriage, Louise was a relative of Gloria Vanderbilt, who is the mother of CNN’s Anderson Cooper. Click on facial comparison images to enlarge them.

In contrast to the childhood remembrances regarding his Francesco Foscari past lifetime, Wayne’s memories of the Vanderbilt lifetime were more direct and visual. Wayne narrates the turn of events:

“My earliest memories in childhood included detailed images of a time when women wore long billowing gowns and people still used horse drawn carriages. I remembered specifically a large sandstone house, a man named Fred, friends arriving for social gatherings, a large reception area with a high ceiling and floors of white stone.

Central to all this I remembered most a woman that was the center of all related activity. The mystery lady was the center of several scenes that were repeated again and again during my earliest years and continued even to this day. I used to wonder who these people were and wondered why they appeared so real to me.

semkiw peterson vanderbilt reincarnation past life hyde parkAs a young child I believed these people were part of my current life. Why they never visited our home I could never explain. I actually believed they would arrive one day and they would remember me and unexplainably, I would be very happy. I assumed that in my earlier years as an infant I had perhaps experienced these people with my parents and had now forgotten most of those intimate experiences. It was the only way I had as a child to explain the vividness of these people I visited in my dreams. However, these people never did appear in this current life and I remained at a loss to explain their appearance in my mind. I had no knowledge of reincarnation at that early preschool stage of my life.”

Wayne, who was born in 1942, reflects that these memories were especially odd since in the 1940’s, there was no television, nor did he any see motion pictures, that might have fueled his imagination. He reflects that nothing in his real time experience of a small town in central Wisconsin correlated to his visions. Clothing, houses and social manners were entirely different in Wisconsin than what he experienced in his memories.

Yet a man named Fred, women in billowing gowns transported in horse drawn carriages and the large sandstone house, were very real to little Wayne. Perplexed, Wayne asked his mother about these people and the house that he remembered. He asked if he had been ever taken to such a place as an infant. The answer was always no. Though he could not explain the source of his memories, these memories continued to be a source of comfort, and he maintained a nostalgic emotion for a person named Fred.

A Flashback of a Past Lifetime on Fifth Avenue in New York City in Front of the Old Vanderbilt House

IISIS semkiw peterson vanderbilt reincarnation past lfe fifthAs a young adult, Wayne Peterson joined the Peace Corps and was on route to Brazil. His flight to Rio de Janeiro was via New York City. Since Wayne had never been to this big city before, he arranged to have a few days in NYC, to take in the sights of the Big Apple. On his second day in NYC, at about noon, Wayne was walking down Fifth Avenue. He was impressed by the crush of people. Let us now allow Wayne to narrate the scene, as he stood on the sidewalk of Fifth Avenue:

“Suddenly a woman with a hat and white gloves across the wide sidewalk waved her hands in my direction and shouted, ‘Louise, Louise, over here, it’s me.’ She kept shouting Louise and I froze. I instantly believed she was calling me. For whatever reason, I suddenly believed I was Louise.

All my attention focused on this strange woman moving in my direction through the crowd. In my mind I was someone else, someone named Louise. I believed the woman moving toward me was an old friend, but the face did not look familiar.

Nevertheless, there was a great relief within my mind, I thought that finally someone recognized the real me. Not the young man from Wisconsin, but a woman named Louise. It was as if I had been a victim of amnesia and suddenly someone shocked me into reality. Unfortunately, the moment of intense excitement passed when the woman in the hat and gloves brushed past me and grabbed an elderly woman standing directly behind me.

semkiw-reincarnation-vanderbilt-peterson-past-life-Instantly, my mind was on overload and I could not move or think. I was still having a moment as Louise and I looked at these two women and thought, you fools, why don’t you remember me? I am the real Louis. How long I stood and stared at these two women enjoying their renewed acquaintance I do not know, but eventually my logical mind returned and I was forced to question my actions and thinking.

Embarrassed and bewildered, I returned to my hotel room. In the hotel I relaxed on the bed and for some hours pondered what had just happened. Why, I kept wondering, did I think I was Louise? Why was it so real to me and so important that I be Louise? I pondered this strange experience during my entire stay in New York, but found no answer until years later. Nonetheless, I was content that I was Louise in a past life about the turn of the century and that Fred was my husband.”

Wayne feels Past Life Frustration due to Fred’s Shyness

“What I knew of Louise and Fred was not only a few visions from this presumed past life, but I could feel emotions that were from Louise. I intuitively knew she was often frustrated with Frederick at social events. Louise would be in the huge reception area of the house greeting guests. She wore several dresses that I could remember in great detail. I always envisioned Fred in white tie and jacket with tails. He appeared to be perfectly comfortable dressed in that attire. but whenever possible he escaped to the small office/library. I can vividly remember the library door. Inside the library it would be quiet and Fred would be seated in the high backed sofa that hid him from the view of anyone at the doorway exit. Eventually, Louise grew tired of making excuses to the guests about Fred’s absence.”

Wayne Unexpectedly refers to his Vanderbilt Past Life Relatives

Gloria Vanderbilt in Sarabande PantsIn these past life reminiscences experienced when he was a very young man, Wayne Peterson still did not know who Fred and Louise were specifically. Decades later, in the 1990’s, a hint came when Wayne was visiting an upper class friend in New York City, whose name was Mary. This upper class friend insisted that Wayne join her on a vacation at her Irish house on the South coast of Ireland. Mary said that they would have a wonderful time and added that her friend Gloria would be joining them also.

Wayne asked, “Gloria who?” Mary replied, “It’s my friend Gloria Vanderbilt.” Let us allow Wayne describe his reaction to this statement regarding Gloria Vanderbilt, whose photo is provided to the right:

“Instantly my logical mind was again paralyzed just as it had been years before when in New York City that elderly woman shouted the name Louise. Another personality or another identity took over my consciousness and I said, ‘Great, Gloria and I can chat and gossip about our family relatives.’

There was a silence from my friend Mary and I began to realize what I had just said. Mary asked what I meant by common family relatives and I babbled nervously about something while trying to think up any good excuse for my ridiculous statement.

Eventually, I explained that I thought Gloria had an interesting family tree. After terminating that conversation I realized that for a few moments I was transported into another life. It was so total that I really believed I was a relative of Gloria Vanderbilt and we could indeed gossip about family members. Why, I kept wondering again, why did I say such a stupid thing with such conviction?”

Spirit Being, Spiritual or Soul Guidance: A Book Magically Moves and Attaches Itself to Wayne’s Hand-A Case of Psychokinesis 

“In the days that followed my conversation with Mary I began to wonder if there ever could have been a Frederick and Louise Vanderbilt. No, I reasoned the odds against it were simply too remote to even bother to explore. Nevertheless, some weeks later while wandering in my favorite bookstore, my attention was attracted to a book on the wealthy families of the 1800’s and early 1900’s. I noticed the book only because it was on the lowest shelf and protruding into the aisle by some 4 to 5 inches.

semkiw-reincarnation-vanderbilt-peterson-past-life-Although I pushed the book into its proper alignment several times with my foot, the book continued to spring forward multiple times before I finally picked it up and read its cover. I even explored on my hands and knees what was in the shelf which forced the book out into the isle. There was nothing but an empty space behind the book.

Curious, I briefly looked at the price of the book, which was expensive, and I immediately wanted to place it back on the shelf. For whatever reasons, I could not give up the book although my mind wanted to place it back on the shelf. As I could not get my hand to release the book, I reasoned I had to buy it in order to leave the store. When I tried to give the book to the cashier so that he could make the sale, the cashier had to pull with both of his hands to dislodge the book from my grasp, despite my desire to let go of it. After paying for the book, I was angry with myself for having no self-control over purchasing a book I did not want. I took the book home and placed it on my own bookshelf thinking that this is one book that I will probably never read, and therefore it was a total waste of money.”

Wayne identifies his Past Life Home with Women in Billowing Skirts and a Man named Fred Vanderbilt

“However, later that night I had a dream that I must read this new book. Unable to sleep because of this nagging notion, I went downstairs and opened the book. At first nothing captured my imagination but soon I opened a page that totally took me by surprise.

There in full color was a photo of the very room I had always envisioned as a child. The distinctive ceiling, the fireplace and white marble floor and the very same sofas I so clearly remembered. It was all there as if only yesterday I had stepped out of that room.

vanderbilt library peterson reincarnation past life semkiw lThe next page was even more revealing. Again, in a color photo, was the library/office I knew so well. The pale green sofa that Fred would hide in during social events and the two beautiful desks that were part of a his and hers arrangement. Transfixed in wonderment, I thought about the strange attachment I had to this scene and what I might learn from this extraordinary experience.

I began to read the article that went with the photos. The room was part of the Vanderbilt Mansion, which was built by Frederick Vanderbilt in Hyde Park, New York in the late 1800’s. Wouldn’t it be a strange coincidence, I thought, if this Fred Vanderbilt had a wife named Louise? As I read down the page, I was overwhelmed when I read that Frederick was married to Louise H. Anthony. The following pages were most revealing, especially when I saw the color photos that followed…The photos brought to life the rooms that I remembered from my earliest memories as a child. I realized that I had opened a book that revealed all the secrets of a past life.”

Spiritual or Soul Guidance: Reincarnation Geographic Memory on Fifth Avenue

Wayne also read that though their sandstone Hyde Park mansion (pictured near the top of this page) was their favorite, their main home was on Fifth Avenue, in New York City. Though this home in NYC was torn down, the location that Wayne had his “Louise” experience on Park Avenue as a young man indeed the location where the Vanderbilt home had been located on Fifth Avenue. The fact that Louise Vanderbilt lived on Fifth Avenue sheds further light on young Wayne’s experience on Fifth Avenue, when the elderly woman in white gloves called out “Louise,” and Wayne was transported to his past incarnation as Louise.

I term this phenomenon of a geographic setting triggering past life experiences as Geographic Memory, which is also observed in the: Reincarnation Case of John B. Gordon | Jeff Keene

Wayne Peterson & Louise Vanderbilt have a Common Interest in Metaphysics

Wayne also learned that Louise and Frederick were very interested in metaphysics, including Theosophy, as is Wayne in contemporary times. In his current incarnation, Wayne is a scholar of the work of Alice Bailey. Louise was also a great fan of the grand ladies of 18th century France, especially Marie Antoinette. Louise Vanderbilt had even filled her bedroom with French reproduction furniture.

This has significance in relation to another past lifetime that has been identified for Wayne, that of Claude Ledoux, who was an artist and architect associated in the Court of Louis XVI and Marie Antoinette. The Claude Ledoux | Wayne Peterson reincarnation case is featured in Born Again. Louise died in 1926, in Paris, which was one of her favorite cities. Frederick lived out his remaining years largely in seclusion, passing away in 1938.

Reincarnated Fredrick Vanderbilt in Contemporary Times

semkiw frederick vanderbilt reincarnation past life wayne peterson image comparisonFrederick, by the way, has also been identified in contemporary times. Fred turns out to be a friend who Wayne Peterson has known for years, who shares with Wayne an interest in metaphysics. Though Wayne had known this person for a period of time, his identity as Frederick Vanderbilt was not determined until the year 2004. At that time, Frederick and Louise Vanderbilt were consciously reunited, 78 years after they were separated by death.

Summary & Reincarnation Case Analysis

Key elements of this case include Wayne’s vivid memories in childhood of a lifetime in which women wore nineteenth century clothing and where parties were held in a large sandstone, mansion-like house. Later, in adulthood, Wayne had memories of being a woman name Louise, which were triggered by standing at the very spot where Louise and Fredrick Vanderbilt lived on Fifth Avenue in NYC. Though this event initially seems coincidental, it is likely that this event was orchestrated by spirit beings, or perhaps Wayne’s own soul.

Guidance to a past life geographic location, which triggered discovery of a past lifetime, also occurred in the case of Reincarnation Case of John B. Gordon | Jeff Keene.

Guidance by spirit beings was even more evident in the scene at the bookstore, where a book was magically pushed out of a bookshelf repeatedly. When Wayne grasped this book, he was unable to release it, which led to him purchasing this book on nineteenth century homes against his conscious will. In this book, Wayne found the house and rooms that he so vividly saw in his memories as a child. The home was owned by Fred and Louise Vanderbilt, which allowed Wayne to solve the past life puzzle that he had struggled with since childhood.

Of note, this case, if accepted, demonstrates that gender can change from one incarnation to another, though facial features, bone structure of the face, remains consistent.

Principles of Reincarnation & Understanding Past Lives

If this reincarnation case demonstrates the following features:

Physical Resemblance in Reincarnation Cases: Wayne’s facial features are consistent with those of Louise Vanderbilt, despite the change in gender.

Reincarnation & Change of Gender: Louise was a woman, who reincarnated as Wayne, a male.

Reincarnation & Geographic Memory: Wayne had a past life flashback at the spot on Fifth Avenue where Fred and Louise Vanderbilt had a home.

Spirit Being & Soul Guidance in Reincarnation Cases: The architectural book that featured the Vanderbilt Hyde Park home, which allowed Wayne to solve this reincarnation case, magically moved from a bookshelf and then attached itself to Wayne’s hand, which forced Wayne to purchase it. This represents psychokinesis, where an physical object is moved by psychic means, in this case apparently by a spirit guide. Psychokinesis is prominent in the reincarnation case of Daniel D. Home | Uri Geller, which is featured in Born Again. A dream then prompted Wayne to read the book in the middle of the night.

In addition, the incident on Fifth Avenue where Wayne had a past life flashback was likely orchestrated by a spirit being, or perhaps by Wayne’s own soul.

Reincarnation, Innate Talent & Past Life Behavior: Louise Vanderbilt studied astrology and Theosophical literature. Wayne has continued this interest by becoming a scholar of the Alice Bailey material. In addition, Wayne is a published author on spirit beings with his book, Extraordinary Times, Extraordinary Beings.

Renewal of Relationships through Reincarnation: Louise and Frederick Vanderbilt appear to have been reunited through reincarnation. In contemporary times, they are both heterosexual men, who are friends without any romantic involvement.

 

 

Past Life Ability, Spirit Being, Mediumship & Spiritual Guidance in the Reincarnation Case of Rosario Weisz | Henrietta Roos-Weisz

Henrietta Roos was born in 1903 in Amsterdam, Holland. Early on, she demonstrated a natural talent for drawing, painting and music, later in life she was able to patch memories and discovered she had a close connection with Goya in the past lifetime.

How Derived: Spiritual Communication

Researcher: Ian Stevenson, MD

From: European Cases of the Reincarnation Type, by Ian Stevenson, MD

Article by: Walter Semkiw, MD

Introducing Francisco Goya & Leocadia and Rosario Weisz

200GoyaReincarnationPortraitFrancisco Goya was born in 1749 and became one of the most famous Spanish painters in history. The Spanish king, Ferdinand VII, appointed Goya as the Court Painter. Goya, unfortunately, found King Ferdinand a tyrant and in 1819, he decided to move away from the court in Madrid to a home in the countryside, outside of the city.

To his new home outside of Madrid, Goya brought a cousin, Leocadia Weisz, who was born in 1790 and was thus 40 years younger than Goya. Leocadia was married previously and had two children, Guillermo and Rosario, through that marriage, but her husband had abandoned the family. Rosario was born in 1814, just before her father left the home.

Rosario was 5 years old when she and her mother moved in with Goya in his country home outside of Madrid in 1819. Leocadia, who was initially hired as a housekeeper, became Goya’s mistress.

In 1824, Goya was alarmed by King Ferdinand’s repression of a liberal political movement and decided to leave Spain altogether. He moved to Bordeaux, France, where he bought a house and brought Leocadia and Rosario with him. The two women cared for Goya until he died in 1829.

After Goya’s death, Leocadia and Rosario moved back to Madrid, where Rosario pursued a career as an artist. Rosario became a copyist of paintings at the Prado museum. She was later appointed as a Professor of Drawing to Queen Isabella II.

Ian Stevenson has related that Goya had a known habit of painting very fast.

Past Life Ability: Henrietta’s Innate Talent for Art

Anne Frank reincarnation case AmsterdamHenrietta Roos was born in 1903 in Amsterdam, Holland. Early on, she demonstrated a natural talent for drawing, painting and music. At the age of 5, she used a crayon to draw an accurate portrait of her father. At 12 years of age, she did an oil painting of two birds and at the age to 16, she started painting miniature portraits. When she was 18, she painted a portrait of her mother. Henrietta wanted to pursue a career as an artist, but her parents disapproved and would not allow her to do so.

At the age to 22, Henrietta married Franz Weisz, a Hungarian pianist. Henrietta noted that she was more attracted to his name than his personality. The marriage allowed her to pursue her desire to be an artist and at the age of 24, she entered the Dutch Royal Academy of Art, where she focused on painting.

Her talent was noticed and for three years in a row, she was awarded the Royal Award from Queen Wilhemina, which allowed her to go study in Paris.

Past Life Attraction: Henrietta’s Affinity for the Name Weisz

Henrietta divorced Weisz at the age of 30. Though the custom in Holland was for a divorced woman to reassume her maiden name, Henrietta resisted. She told her mother, regarding the name Weisz:

“I don’t know, it is a strange feeling. I can’t explain, that name suits me. I feel one with it, it is more me than my own name Roos. Each time I call my self that way I have the feeling I’m talking about someone else.” (1)

She then moved to France and became fluent in French in a short period of time. For the next 20 years, she made her living as a painter in France, even serving as an official copyist for the Louvre Museum in Paris.

Mediumship: A Spirit Being Speaks to Henrietta and Paints a Portrait through Her in the Dark

200Roos-WeiszReincarnationPaintingOne evening in the year 1936, when she was 33 years old, Henrietta went to bed early, as she was feeling ill. Suddenly, a voice spoke. The voice seemed to be coming from the center of her forehead. The voice said:

“Don’t be so lazy, get up and work.” (2)

Henrietta didn’t know what to make of this and she tried to ignore the voice, but it returned and made the same statement a second time. Henrietta still stayed in bed and tried to go to sleep. The voice then spoke a third time, but more vigorously and emphatically:

“Don’t be so lazy, get up and work.” (3)

Henrietta finally heeded the voice and got out of bed. She put her easel under the tiny electric light in her small room. She then felt a force enter her, which made her move the easel to the darkest corner of the room, where she could not see anything at all. Let us let Henrietta describe what happened next:

“My palette, still full of paints, was on the table, also a little canvas board. This I took—and I started to paint, hardly knowing what I was doing, in a feverish haste, for 45 minutes, when suddenly I felt my right become immensely heavy. I had to put down my brushes.” (4)

Henrietta was then finally able to go to sleep. When she awoke, she remembered the voice and that she had been painting in the dark. She wondered if it was all a dream. She jumped out of bed to look at the easel and found a beautiful portrait of a young girl with a far away look. The sight made Henrietta shiver. She was puzzled by this turn of events.

This painting of a beautiful woman is featured on the cover of Ian Stevenson’s book, European Cases of the Reincarnation Type, and is provided above and to the right.

A Clairvoyant Tells Henrietta of her Past Life Relationship with Francisco Goya

200GoyaReincarnationPortraitHenrietta quickly summoned a friend to see the portrait, who was astonished at the quality of the painting. Her friend exclaimed:

“Oh, Henriette, oh dear, this is wonderful, this is great! You know what we’re going to do? We’ll take it to a meeting for psychic research. Every Thursday afternoon they have a clairvoyant, extraordinarily gifted, and you take your little canvas along.” (5)

At the meeting, Henrietta found the clairvoyant to be a simple and poor looking elderly woman. Henrietta placed her canvas with portrait of the beautiful girl on a table next to the elderly woman, where others had also placed objects for the woman to examine. The clairvoyant took Henrietta’s painting and she fell into a trance. Henrietta said that the old woman closed her eyes and became very pale. Her lips trembled and the old woman very slowly said:

“I see very large golden letters—a name is spelled to me, G—O—Y—A…now he speaks to me. He says: He was a great Spanish painter. He had to fly from his country from his enemies, and it was you who received him in your home in a big southern city in France—until the end of his life. He still is so thankful for this that he wants to guide you—but he is not satisfied, you resist too much, you are too much tied up in your academic education—you never relax and let him guide you, you make it very difficult for him—he therefore made you paint in the dark, so that you couldn’t see what you were doing.” (6)

Henrietta and was impressed with the clairvoyant’s accurate statements. The elderly woman somehow knew that Henrietta was an artist, that she had an academic education in art and that she had done the painting of the girl in the dark.

Spiritual Guidance: Henrietta is Led to Information about a Past Life

Henrietta knew nothing about the personal life of Goya. The same day that she went to the clairvoyant, she had been invited for the first time to the home of a famous French musician. When she arrived that evening, the musician, coincidentally, had a biography on Goya on his bookshelf. She borrowed the book and when she got home, Henrietta opened it to somewhere in the middle of the book.

Again, as if by guidance, the book opened on a page that described how Goya lived with Leocadia and Rosario Weisz in Bordeaux, France, a large city in Southern France, who took care of him until his death.

Through this biography of Goya, the elderly clairvoyant’s statements seemed to be thus verified. Though the information gained, Henrietta finally understood why she had such an emotional attachment to the name Weisz. She had the same name, Weisz, even spelled in the same way, in a past incarnation in which she nurtured Goya in his latter years.

Once she understood this connection, the attachment to the name Weisz, which she retained for three years following her divorce, ended. From then on, she signed her name on paintings as “Henrietta Roos,” not “Roos-Weisz.”

Mediumship: Other Instances in which Henrietta served as a Medium for Francisco Goya

200GoyaPaintingReincarnationIISISHenrietta had four other experiences in which it appeared that Goya was painting through her. In these instances, she painted very rapidly and produced beautiful pieces of art with ease. Recall that Goya had a tendency to pain very fast.

The most dramatic example involved a wealthy client in Nice, France, whose family hired Henrietta to do his portrait. Henrietta was very fatigued and when then entire family, including children and pets, surrounded her and her easel to watch her paint the portrait, she felt it was impossible for her do the painting.

In her despair, she made a strong mental plea to Goya to help her. Almost immediately, she started to paint rapidly and within a few minutes, produced and amazing likeness of her subject. It became one of her most acclaimed paintings.

Another example where it appeared that Goya took possession of Henrietta’s body occurred in 1960. She had been hired to do a painting of a subject from a photograph. Henrietta describes the scene:

“I had been wanting to paint this portrait many times in the past. The moment I wanted to start it something kept me from doing so, and each time I put down my brushes before even starting the first lines. This time I was not even thinking of doing it—and suddenly (it was a matter of seconds!) I was in front of my easel and did the portrait in a day and a half. Everything around me vanished. The whole world could have changed. I even forgot to eat. When my phone rang, I answered that I couldn’t talk. It was the same furious pace as I had felt when doing the…’girls face.” And another strange feeling is that now I’ve done it, I am constantly wondering how I did it.” (7)

This portrait was also considered among one of Henrietta’s best. Ian Stevenson observed that these events in which Goya appeared to take over Henrietta’s body occurred over a period of 40 years. Henrietta did not feel that Goya directed her or influenced her in her daily life between these occurrences.

Theses instances of Goya taking possession of Henrietta’s body to assist her in painting portraits is reminiscent to me of my experiences with Kevin Ryerson, a well-known trance medium who has been featured in Shirley MacLaine’s books. When Kevin goes into a trance and allows spirit beings to take over his body, they too can use Kevin’s body to make illustrations and diagrams during public demonstrations. After Kevin emerges from trance, he has no memory of what occurred during the session. In contrast, Henrietta seemed to be conscious of what was happening when Goya possessed her.

Past Life Identity: Was Henrietta Leocadia or Rosario Weisz?

Goya stated, through the elderly clairvoyant, that Henrietta had taken care of Goya in his home in Southern France. That same day, a biography on Goya was opened to the page that described how Leocadia and Rosario Weisz had taken care of Goya until his death in Bordeaux, France. From the information given, it was not clear whether Henrietta was Leocadia, the mistress of Goya, or Rosario, the daughter of Leocadia.

To make this determination, Ian Stevenson analyzed the personalities of Leocadia and Rosario to see which matched the character of Henrietta.

Stevenson found that Leocadia was hot-tempered, social, extroverted and a fan of circuses and fairs. She did not paint and did not seem to have much interest in art. Leocadia’s personality, thus did not match Henrietta’s personality, who as quiet and afraid of crowds, such as would be found at concerts, circuses and fairs.

Rosario, on the other hand, was not temperamental, was affectionate and was described as bright and cheerful. Rosario loved animals, as did Henrietta.

Like Henrietta, Rosario as a child had a natural talent for painting and music. Like Henrietta, Rosario did miniature portraits, which Goya praised in a letter:

“This amazing child wishes to do miniatures, and I wish it too; for it is perhaps the greatest phenomenon in the world to do what she does at her age.” (8)

Biographers have noted that Goya had a great attachment to Rosario and even referred to her as his own daughter. This attachment could explain Goya’s desire from te spirit world to assist Henrietta in her artistic development.

After Rosario and her mother returned to Madrid following Goya’s death, Rosario became a copyist of paintings at the Prado museum, just as Henrietta had became a copyist at the Louvre.

In 1840, Rosorio was appointed Professor of Drawing to Queen Isabella II. Later in 1840, she unexpectedly came down with a fever after she was caught in a riot. A biographer attributed the fever to extreme fright, which Rosario experienced when confronted with the angry mob. This reaction is consistent with Henrietta’s fear of crowds. Rosario died soon after, on July 31, 1840, at the young age of only 26.

Due to the similarities in personality, artistic and musical talent, and Goya’s known affection for Rosario, Ian Stevenson concluded that it was most likely that Henrietta Roos, also known as Henrietta Roos-Wiesz was Rosario Weisz in a past lifetime. The interval between Rosario’s death and Henrietta’s birth was 63 years.

Principles of Reincarnation & Understanding Past Lives

200GoyaReincarnationPortraitIf this very intriguing reincarnation case is accepted, it demonstrates the following principles:

Spirit Being Involvement, Spiritual Guidance & Mediumship: The most striking aspect of this case is that it appears that the spirit of Francisco Goya took over the body of Henrietta Roos on several occasions to help her produce beautiful works of art. Recall that Henrietta did the first channeled painting in the dark, indicating that it was Goya who was doing the painting.

In addition, Goya, from the spirit world, was able to communicate to Henrietta through a clairvoyant, giving her information on who he was and why he was helping her. Goya said that he was guiding her in gratitude for Henrietta taking care of him in a large city in southern France.

Another example of apparent spirit guidance is that Henrietta found a biography on Goya at a musician’s home, on the very same day she had the session with the clairvoyant. When Henrietta opened the book, she spontaneously fell upon the exact page that described how Leocadia and Rosario Weisz indeed took care of Goya until his death in Bordeaux, France. It was as if Goya was guiding her to the book and page where Henrietta could find herself in her past lifetime with Goya.

This is reminiscent of the case of Louise Vanderbilt | Wayne Peterson, as Wayne was guided to a book in a bookstore which when he picked up, he literally could not put down. Against his conscious will, Wayne reluctantly bought the book and later that night, found the key to identifying his past lifetime as Louise Vanderbilt inside that book. Spirit Beings can be very forceful in their guidance of human beings.

Past Life Ability & Talent: Rosario and Henrietta shared that same childhood talents for art and music, indicating that Rosario and Henrietta had studied these disciplines in prior incarnations. Rosario and Henrietta both painted miniature portraits, they both became museum copyists for paintings and both were given special recognition by royalty for their artistic ability. Rosario became a copyist for the Prado and Henrietta became a copyist for the Louvre.

Rosario was appointed Professor of Drawing to Queen Isabella II of Spain, while Henrietta was awarded the Royal Award from Queen Wilhemina of the Holland three years in a row.

The parallels in talent, artistic development and career paths between Rosario and Henrietta are quite amazing. This case is reminiscent of the cases of Paul Gauguin | Peter Teekamp and Claude Ledoux | Wayne Peterson, in which artistic talent and artistic development was also replicated from one incarnation to another.

Another, less dramatic example of ability from a past incarnation involves Henrietta’s ease of learning French when she moved from Spain to France. As Rosario, she had lived in Bordeaux, France, since she was 10 years of age and must have been fluent in French in that incarnation.

Reincarnation & Change in Nationality: Rosario was born in Spain and lived in France while caring for Goya in his self-imposed exiled. Henrietta was born in Holland, though she moved to France to pursue her career as a painter.

Footnotes

1. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 238
2. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 238
3. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 238
4. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 238
5. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 239
6. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 239
7. Stevenson, Ian: European Cases of the Reincarnation Type, McFarland, 2003, page 241